Hello There!

May. 20th, 2026 05:34 pm
plottingmyreads: (pic#18383963)
[personal profile] plottingmyreads posting in [community profile] addme
Name: Ana

Age:36



I mostly post about: Book, Manga, Manhwa, and Manhua reviews or anything related to literature



My hobbies are: Reading, Learning Spanish, Chinese, and Korean



My fandoms are: Dragon Ball Z, Sailor Moon, Naruto, Stephen King, Game of Thrones, Buffy the Vampire Slayer, Doctor Who, Anime, Manga, Manhwa, Manhua, Jurassic Park, The Walking Dead, Supernatural, Sherlock, The Lord of the Rings, Disney, Studio Ghibli, Saiyuki, etc.



I'm looking to meet people who: Share some of my interests, so I don't feel like I'm talking into the void when I post, and give me something to read on my page. Ideally, I'd like to meet people around my age.



My posting schedule tends to be: Sometime I post weekly or sporadic depend on my mood.



When I add people, my dealbreakers are:Close-mindedness. Rudeness.



Before adding me, you should know: I post a lot about books, manga, or anything literature, which isn't for everyone. Also, I'm socially awkward and take a while to respond to comments or DMs. I try my best to comment, but sometimes I'm not able to think of something to say, so if it's okay with you, I might comment late on posts I've read.

(no subject)

May. 20th, 2026 11:19 pm
fox_in_me: fox.in.me (Default)
[personal profile] fox_in_me posting in [community profile] addme
Name: Mr. Fox


Age: 30-something


I mostly post about:
Fragments of life, memory, war, and the strange feeling of trying to remain human while the world changes around you.

I write honest personal entries about life in Ukraine during wartime not as news reports, but as lived emotions. Memories of peaceful years, quiet evenings by the sea, conversations, fears, hope, exhaustion, music on empty streets, radio signals in the night, thoughts about humanity, loneliness, survival, and the fragile beauty that still somehow exists beside all of this.

Before the war, my life was deeply connected with the sea, travel, ships, people from different countries, and long roads between places. Some of those stories still appear here too.

This journal was reborn after a long silence. Every entry is published both in English and in its original language. I also share my own photography : small visual fragments of different periods of my life, usually connected to the mood of a specific post.

If I had to describe this journal simply:
these are probably letters from a person trying not to lose himself completely.

My hobbies are:
Photography (almost professionally), lomography and everyday street photography, music (acoustic, post-rock, instrumental covers, atmospheric music), psychology, radio communication, history, classical literature, travel, long night walks, and collecting strange little moments that most people pass by without noticing.

I love meaningful conversations and people who still know how to feel deeply.

My fandoms are:
Not really fandom-oriented.

But I love thoughtful writing, old internet culture, personal blogs, atmospheric media, documentaries, literature, music, photography, and people with their own inner worlds.

I'm looking to meet people who:
...feel something when they read my words.

Kind people. Thoughtful people. Quiet observers. Those who still value sincerity on the internet.

You absolutely do not have to share my experiences to understand the emotions behind them.

I’m open to meeting people from different countries and backgrounds — as long as empathy still exists in them.

(And yes, one exception remains:
I do not welcome people who support or justify the war.)

My posting schedule tends to be:
Usually several times a week.
Sometimes more often when thoughts become too loud to keep inside.

When I add people, my dealbreakers are:
Cruelty, dehumanization, propaganda, or people who completely lost the ability to empathize with others.

Otherwise, I prefer discovering people naturally through conversation and writing.

Before adding me, you should know:
I’m Ukrainian.
And I think that inevitably shapes many things I write now.

Still, this journal is not built around politics alone.
It is about trying to preserve memory, humanity, warmth, irony, curiosity, and the ability to notice beauty even during difficult times.

Welcome aboard.
These are still my messages in a bottle.

RIP (Read in Progress) Wednesday

May. 20th, 2026 01:45 pm
silversea: A dragon reading a book (Reading Dragon)
[personal profile] silversea posting in [community profile] booknook
Happy Wednesday again! What are you reading this week?
kalloway: (RoB Mino Choices)
[personal profile] kalloway posting in [community profile] smallweb
What's going on, [community profile] smallweb? Big projects, little tweaks, sidelined by [the universe], something else?

Share all the things!

Book review: A Drop of Corruption

May. 19th, 2026 05:11 pm
rocky41_7: (Default)
[personal profile] rocky41_7 posting in [community profile] booknook
Title: A Drop of Corruption (In the Shadow of the Leviathan #2)
Author: Robert Jackson Bennett
Genre: Fantasy, murder mystery/crime thriller

Yesterday, with hours to go until my library hold expired, with another hold not on the horizon before 3 weeks, I finished A Drop of Corruption, the second book in the In the Shadow of the Leviathan series by Robert Jackson Bennett.

Ana and Din are back with another grody and baffling murder. I think the consistency between the first book and the second is very good; if you liked one, you’ll like the other. Bennett maintains the same quality mystery narrative here, dropping believable misleads while feeding out enough information that when Ana makes her breakthrough realizations you can look back and see the path she took.

Bennett’s fantasy world is coming into its own as well. We pick up many months after the end of the last book, so Ana and Din have developed a stronger rapport and working relationship. We are fed more information about the world itself—with some outside perspective, as this book takes place entirely in the nation of Yarrow, which is essentially a satellite state of Khanum, pending full annexation once negotiations with Yarrow’s king complete.

I enjoy how the women are written in these books. Ana and our new, local connection, Malo, are wholly unmoored from concerns about what others think of them. Ana is brash, loud, demanding, and arrogant—except that she’s almost always right. She has a masterful understanding of her own capabilities and weaknesses and she’s not afraid to openly discuss either. She’s also crass, gluttonous, and does not have great personal hygiene habits. And yet, everyone simple handles it, because she’s so good at what she does. I feel it’s rare to see a female character like this.

When it comes to the other women in service to the empire, like Thelenai and the female members of Uhad’s crew from the last book, there is little distinction between them and their male colleagues. A number of fantasy stories have posited that their worlds are gender-equal, but many fall utterly short of showing that beyond having women around. In Bennett’s world, in Khanum, I believe it, in part because the women lack the self-consciousness that comes of being raised in a sexist society.

However, this book is politically confused. It is obvious, even before the author’s note, that Bennett thinks very little of monarchy, and its destructive power is hammered over and over throughout the book. In that closing author’s note, Bennett is highly critical both of real-world leaders behaving like kings, and the glorification of monarchy in fantasy literature. However, the glaring hole in this, to me, is that no commentary is made on the empire. Ana and Din hail from what is nothing more than an elevated monarchy—one where their centuries-old emperor has chosen to extend his power well beyond his initial borders. Now, it makes perfect sense that Ana and Din believe in the good of Khanum. They serve it, they are members of its government. However, Khanum’s pending annexation of Yarrow is posited as almost universally a good thing for Yarrow—indeed, the only character we see strongly opposed to it is easily the most loathsome character in the book. There is criticism also of Yarrow’s practice of slavery, but when Din protests that a potential Khanum retreat from the annexation would leave the slaves of Yarrow to their fate, Ana warns him it is not Khanum’s place to legislate the morality of other places. And yet, over and over and over again for all of human history, empires have believed it was their place to do just that—and violently (Hello, White Man’s Burden).

Perhaps these inconsistencies would be less sharp if we understood more about Khanum and its role in the world. In A Drop of Corruption, we are told the empire no longer conquers with strength of arms—ergo the protracted negotiations with Yarrow. However, that means it did, and even in the last book we saw how the empire treats its cantons, with the utter destruction of Oypat accepted as a reasonable price to maintain the wealth of various noble families. Even if the emperor is only a figurehead, we know that Khanum is tightly bound by the whims and desires of its nobility. It was baffling to me why this is never raised in the political discussions of Yarrow and the annexation.

Moving on, we get new backstory on both Ana and Din here, which bulks their characters out (although Din’s apparent lifelong yearning to join the Legion feels a bit out of left field) and leaves us in a very interesting place for the third book. Ana continues to be a vicious delight and without spoilers, we are finally learning what makes her so unique.

I also had to appreciate the importance the narrative places on civil servants. One of Din’s gripes about life in the Iudex is, essentially, that it is unglamorous and frequently bureaucratic. Yet the narrative champions those who do the day-to-day drudgery of running a country, frequently for no thanks. It takes the garbage men and the post office workers and the teachers and the Social Security Administration clerks to run things, and A Drop of Corruption says these people are important, and the work they do is important, even if it is rarely recognized.

Bennett has hit his stride with this series and I’m curious to see where it goes next.


things seen right-to-left

May. 19th, 2026 07:20 pm
yamamanama: (lucien)
[personal profile] yamamanama
I didn’t get any drawing done because I went in and out by commuter rail.
For lunch, I had a pita wrap with salad, hummus, spicy pickles, amba (which is another type of spicy pickle) along with a sparkling pomegranate drink and some sour cherry and pistachio Turkish delight and I got a bowl at Cava for dinner.
I also bought The First Mage on the Moon and Boy, with Accidental Dinosaur. I also brought along the wrong book for when I finished An Image of Voices. Dangit.

It was the first 90 degree day of the year and the second above 80. And then it reached 96 on Tuesday. I met a shih tzu poodle mix at South Station and a big floofy girl and a fluffy boy and a tiny girl.

Erik Satie, Choses vues à droite et à gauche (sans lunettes) for violin & piano
That does translate to Things Seen Right-to-Left (Without Glasses). Lunette sounds like "little moon."
This is his only work for violin and piano and one of his rare chamber works.
It's broken down into:
Choral hypocrite (hypocritical chorus): a homage of sorts to Bach.
Fugue à tâtons (groping fugue): just kind of silly
Fantaisie musculaire (muscular fantasy): a parodic tour-de-force from the violin which just kind of fizzles out.

He lived out a rather interesting life. Changed his name from Eric to Erik. Got involved in a small religious group called the Ordre de la Rose-Croix Catholique du Temple et du Graal and invented a genre of music called static sound décor to accompany events. Then he broke away from that and started a religion of one, the Église Métropolitaine d'Art de Jésus Conducteur. He bought seven identical suits. Had his only love affair. Moved to a suburb and walked six miles to Paris every day, carrying an umbrella but putting under his coat whenever it rained because he didn't want to get it we. Then eventually died. They found no less than 100 umbrellas in his apartment.

Michael Stephen Brown, The Lotos-Eaters for flute, cello, piano & percussion
It's based on the Tennyson poem and I guess that's why lotus is spelled like that, which is itself from a section of the Odyssey (for those of you who have read Ulysses, chapter 5 is based on this as well)
I. "Courage!" he said, and pointed towards the land.
Opens with a bamboo shaker, a thundersheet, and a cellist making siren noises by moving the hand up and down the neck, and the pianist reaching inside and plucking the strings.

II. "Time driveth onward fast"
Constrasts the lotus-eaters staring into space (represented by the piano) and the sailors' hardship (represented by the percussionist hitting six tuned rice bowls with sticks)

III. "Music that brings sweet sleep down from the blissful skies."
Focuses on the flute.

IV. "They find a music centred in a doleful song streaming up"
Focuses on the cello.

V. "O, rest ye, brother mariners, we will not wander more"
Comes full circle with the thunder, the sirens, and the shakers. Not a Greek siren, more like an ambulance siren.

Ralph Vaughan Williams, Phantasy Quintet
Sounds like the English countryside. Like pretty much everything by Vaughan Williams except Symphony 1 (sounds like the sea), Symphony 2 (sounds like London), Symphony 3 (sounds like the French countryside), Symphony 7 (sounds like Antarctica) and some of his choral music.

Reena Esmail, Jhula Jhule (Back and Forth) for clarinet & piano
It takes modernistic piano and jazzy clarinet (this can be played on other instruments, as desired)
She went for folk songs from Goa and Gujarat for the melody but ended up using songs that were played for her; Ankhon vina andharon re, which I can find nothing about, and Jhule Jhule, a lullaby her mother would sing to her.

Maurice Ravel, Piano Trio in a minor
The first and last movements are based on Basque folksongs, the second is based on a Malay poetic form that had a cult following in France at the time this was written that features four line stanzas in which the second and fourth lines become the first and third line of the next stanza, and the third movement is a passacaglia, and the finale is a rondo of virtuosity.

I ganked this from somewhere and I shared this thought with Krissy: Much like in the show Dinosaurs, we have doomed ourselves with fake fruit.
burning question: do they only feed ai on slot machine instructions or why does it all look like that?
alias_sqbr: Torchwood spoilers for various episode numbers: Jack dies (torchwood spoilers)
[personal profile] alias_sqbr
Masterlist.

I started writing a "short summary" for people who haven't played and to get my thoughts in order, then realised it was (a) getting long and (b) would be easier if I looked up a plot summary to remind myself. So lets go episode by episode until I finish or get bored haha. You can also just read the wiki page I referenced yourself but mine is shorter, if you can believe it, and has a few extra thoughts.

I mostly go through the mystery stuff, there's a bunch of humour and character moments which aren't captured in this summary. I'll avoid anything that significantly spoils later Episodes until a later post, but will not be super strict when it feels more logical to mention things now, or if I have current speculation that I either did or could have come up with at the time.

Please do not leave any comments which spoil past episode 1! I have played up to partway through Episode 5 but some people reading might not have.
Spoilers for Episode 1 )

Umineko: When they Cry

May. 19th, 2026 05:48 am
alias_sqbr: Torchwood spoilers for various episode numbers: Jack dies (torchwood spoilers)
[personal profile] alias_sqbr
I've been watching a Let's Play of the classic, epic Japanese visual novel "Umineko: When they Cry" by Ryukishi07, and am currently up to Episode 5 of 8. I'm quite enjoying it but it's LONG. The LP is 168 episodes which are 30 minutes to two hours long.

I'll try and write a proper review when I'm finally done, since the story keeps reinventing itself, but so far it's a family drama and murder mystery with supernatural elements, which explores events from different angles in ways which cleverly play around with narrative, both from a storytelling perspective and as a way of exploring how people view the world and each other in different ways.

It's very much worth going into unspoiled if you are interested. But content warnings for violence and gore (mostly just text), suicide, child abuse (well written but harrowing), gender essentialism, male gazey character designs and and "joking" perviness (sometimes condoned by the narrative, though it's better about female characters than you might initially assume)

No unambiguous consent issues so far asides from some rape jokes but it feels like the kind of story where that could definitely be a Thing.

I'm watching Jokrono's let's play, which involves two young male gamers sometimes being thoughtlessly Unfortunate, especially about Japan. I'm sure there's others out there but this is the one I was recced and I'm overall enjoying it.

Just cut for length, no spoilers )
silveradept: Domo-kun, wearing glass and a blue suit with a white shirt and red tie, sitting at a table. (Domokun Anchor)
[personal profile] silveradept
Le's begin with a teacher explaining why they're leaving teaching, and it has little to do with the students themselves and a lot more to do with the environment the students exist in, which lines up pretty well with four of the Horsemen of the Apocalypse: the privileged don't care, (and their grownups are waging war on education), the students are starved of the ability to mature into adults because their instructors cannot provide them with meaningful consequences for their actions, the edtech companies, and now LLMs, are a pestilence on the process of education, and the other people in there have imbibed vocational awe, and worse, believe themselves one of the good teachers because they have some knowledge of one aspect of student difficulties.

Those who wish to peddle the idea that masculinity is in crisis and needs to return to some more macho version of itself are often well out beyond the antisemitic conspiracy line, because it's been a thing for centuries to portray Jewish men as weak and feminine.

Women taking part in a student ritual involving a swim are increasingly finding pictures of themselves in their swimwear published in tabloid magazines. And I have no doubt that many of the photographers staked out there, taking, and selling the pictures of the women will say "it's a public place, and therefore there's no problem with me taking pictures of people in a public place in their swimwear." In much the same way that the people with the pervert glasses filming women and posting the videos online would say there's nothing wrong with recording someone in a public place. Of course, the true answer to how to curb such behavior is to teach the men doing the thing not to do it while they're still impressionable and not fully in the belief that they are the most important being in the world and all others are subservient to them.

Would you like to see a trove of pictures taken by the astronauts on the Artemis II mission? Yes, you would. If you would like them in an more organized fashion, there's an archive of the pictures according to the mission timeline set up. Which is cool, because it was able to use various pieces of public data about the mission, and metadata from the images, to merge the two into a timeline of photography.

Examining studies cited in a blog post from 2016, as well as more recent studies, suggests that instead of knowing a number or percentage of trans youth who then choose to live as cis adults, there needs to be better-quality studies run before any conclusions can be reached. Which doesn't deter lawmakers with agendas, to be certain, but neither does it give them any kind of scientific legitimacy to hide behind.

And more beyond, as always, including dastardly behavior by people elected to positions of power )

My Dreamwidth history.

May. 18th, 2026 03:30 am
rogueslayer452: (Tara Maclay. Poetry.)
[personal profile] rogueslayer452
Saw this meme via [personal profile] harlow_turner_chaotic_ace. I may have done this in the past, or at least a version of it, but since I recently gained new followers I figured why not just do it again.

Dreamwidth History Meme )

Designing Websites For Exploration

May. 18th, 2026 11:34 am
rionaleonhart: top gear: the start button on a bugatti veyron. (going down tonight)
[personal profile] rionaleonhart posting in [community profile] smallweb
I've occasionally mentioned my fan websites on [community profile] smallweb check-in posts, but, now that I've got five of the things, I thought I might make an actual community post about them!

My websites are:

- Balamb Garden, about Final Fantasy VIII
- Silent Hill, about Silent Hill 2
- Kira's Tokyo, about Death Note
- Hope's Peak Academy, about Danganronpa
- The Website That Goes Wrong, about Mischief Theatre's Goes Wrong productions (e.g. The Play That Goes Wrong and The Goes Wrong Show)

For a long time, I thought I wasn't capable of making a website; I know very little about web design, and I couldn't work out how to structure it. And then I remembered a type of website I'd spend hours happily browsing when I was a kid at the turn of the millennium: websites that were designed to feel like you were exploring a physical space. Although these websites were structurally complex, they were often very visually simple, meaning I'd probably be able to create one even with my limited HTML skills.

When I gave it a go, I had a lot of fun making a website in this style! And... then I made four more, so it's possible I had too much fun.

If you take a look at any of my sites, I hope you enjoy them! And I'd be interested to hear from anyone else who has thoughts about 'exploring a physical space'/'choose-your-own-adventure' website design. Do you remember websites in this style; do you have one yourself; have you ever considered building one; is there anything you particularly like to see from this type of website, or any advice you'd give to someone who's interested in creating a website in this style?

Breathe in, breathe out

May. 17th, 2026 03:28 pm
dolorosa_12: (watering can)
[personal profile] dolorosa_12
It's been a cosy-ish weekend at home, with some gardening, some cooking, and more decluttering.

On Friday, in between bouts of torrential rain (and hailstorms) I managed to get rid of the remainder of Matthias's old books, plus some unwanted gardening equipment. People really will take everything off the street if we put it out on the footpath! There's still stuff to go, but everything feels a lot more manageable now, and we don't have boxes all over the living room floor.

Yesterday was fitness classes, vegetable and fruit from the market (the strawberries at the moment are amazing, and I've just discovered that the discarded strawberry tops can be added to tap water to infuse it in much the same way that I usually do with slices of lime or lemon — it tastes fantastic), momos from the Tibetan stall for lunch, then pottering around at home. Today I spent a lot of time in the garden this morning, mainly repotting seedlings: tomatoes, pickling cucumbers, and some chives. So far the only stuff that's actually ready to eat are the mixed salad greens, which are a variety of shapes and colours, and taste bitter and earthy. We've got unripe strawberries, cherries, apples and pears, but nothing edible at the moment.

Reading this week has involved a great array of books.

I picked up The Draw of the Sea (Wyl Menmuir) on [personal profile] chestnut_pod's recommendation, and I'm glad I did. It's a collection of nature writing, mainly about the Cornish coast (although there are diversions to Svalbard, and other waters), meandering from environmental and social commentary to meditations on surfing and freediving. As suspected, my favourite parts were about the psychological effects of ocean swimming. It paired nicely both with Dee Holloway's fantastic zine Lost Coast (an in depth exploration of the various watery threads connecting Susan Cooper's Greenwitch and the films The Fog and Enys Men), and this new-to-me music (electronic Breton mermaids).

Next was The Bloody Branch (Brigid Lowe), which did for me for the Mabinogi what Pat Barker's The Silence of the Girls did as an Iliad retelling: a complex, nuanced reworking of the source material in a way that does it the courtesy of taking its characters' alienating worldviews and frames of reference seriously, while giving the female characters interiority, voice, and agency within the truly awful situations in which they find themselves. Lowe does an incredible job conveying the sheer weirdness of the original medieval Welsh material, which exists in its own strange universe of blurred lines and shifting boundaries — between human and animal, between the otherworld and the waking world above, between earth and sea, and so on. Her Blodeuwedd felt really believably made of flowers, and the horror at that unbounded floral existence being forced into the shape of a human woman is absolutely visceral; likewise her Arianrhod felt half woman, half ocean. It's a brutal, violent book, in which brutal, violent things are done to its female characters, and sometimes the only possible response is endurance, survival, and the ability to tell their own stories, in their own words. I absolutely loved it.

Finally, I devoured the final novel in Elena Ferrante's Neopolitan quartet of books, The Story of the Lost Child, which covers the later adult life of its pair of childhood friends. While the events of the earlier three novels took place in relatively tight timeframes, this one covers more than thirty years — motherhood, relationships (and their ends), careers, the demands of complicated extended families, and the complex mess of the characters' origins in an impoverished, violent neighbourhood of Naples, and the way they're never fully able to escape this. Both the characters — the narrator in particular — make some truly terrible decisions; the consequences of these decisions are so excruciatingly obvious that I was almost reading through my fingers in horror for the hundred pages or so until the characters caught up with me and realised the same thing. While the intense interiority of the other novels remains, the authorial gaze also sweeps outwards, to take in Italian politics and societal changes during the period, and the ever present struggles against corruption and organised crime, and the ways these brush up against the lives of the characters and their families. I'm so glad that I picked up this quartet of books at last: the hype is so incredibly justified.

I'm almost scared to pick up a new book, because the week's previous reading has been so good!

June 2026 Book Poll

May. 17th, 2026 08:36 am
seleneheart: the castle from How's Moving Castle sitting beside a lake (Moving Castle)
[personal profile] seleneheart posting in [community profile] bookclub_dw
Posting on behalf of [personal profile] aflaminghalo, who is the host for June:

1. The Midnight Shift - Cheon Seon-ran Horror. 304 pages.
When four isolated elderly people commit suicide back-to-back at the same hospital by jumping out of the sixth-floor window, Su-Yeon doesn’t understand why she’s the only one at her precinct that seems to care. Dismissing the case as a series of unfortunate events due to the patients’ loneliness, the police force doesn't engage. But Su-Yeon doesn’t have the privilege of looking away. Her dearest friend, Grandma Eun-Shim, lives on the sixth floor, and Su-Yeon is terrified that something will happen to her next.
Warnings: Addiction, Death, Gore, Mental illness, Suicide, Terminal illness, Violence, Blood, Dementia, Grief, Murder

2. Affinity - Sarah Waters Historical. 352 pages
Recovering from a suicide attempt, Margaret Prior has begun visiting the women’s ward of Millbank prison, Victorian London’s grimmest jail, as part of her rehabilitative charity work. Amongst Millbank’s murderers and common thieves, Margaret finds herself increasingly fascinated by an apparently innocent inmate, the enigmatic spiritualist Selina Dawes.
Warnings: Confinement, Drug abuse, Mental illness, Suicidal thoughts, Addiction, Suicide,


3. The Anomaly - Michael Rutger Sci-fi/Horror. 352 pages
Nolan Moore, rogue archaeologist hosting a documentary series beloved of conspiracy theorists, sets out to retrace the steps of an explorer from 1909 who claimed to have discovered a mysterious cavern high up in the ancient rock of the Grand Canyon. For once he may have actually found what he seeks, until the trip takes a nasty turn.
Warnings: Confinement, Death, Gore, Infidelity, Blood, Injury

Poll #34601 June Book Poll
Open to: Registered Users, detailed results viewable to: All, participants: 18


What book should we read in June?

View Answers

The Midnight Shift
6 (33.3%)

Affinity
6 (33.3%)

The Anomaly
6 (33.3%)

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